Most of the characters are
animals such as Shere Khan the tiger and Baloo the bear, though a principal character is the boy or
"man-cub" Mowgli, who is raised in the jungle by wolves. The stories are set in a forest
in India; one place mentioned repeatedly
is "Seonee" (Seoni),
in the central state of Madhya Pradesh.
A
major theme in the book is abandonment followed by fostering, as in the life of
Mowgli, echoing Kipling's own childhood. The theme is echoed in the triumph of
protagonists including Rikki-Tikki-Tavi and The White Seal over their
enemies, as well as Mowgli's. Another important theme is of law and freedom;
the stories are not about animal behaviour, still less about
the Darwinian struggle for survival, but about
human archetypes in animal form. They teach respect
for authority, obedience, and knowing one's place in society with "the law
of the jungle", but the stories also illustrate the freedom to move
between different worlds, such as when Mowgli moves between the jungle and the
village. Critics have also noted the essential wildness and lawless energies in
the stories, reflecting the irresponsible side of human nature.
The
Jungle Book has
remained popular, partly through its many
adaptations for film and other media. Critics such as Swati Singh have noted
that even critics wary of Kipling for his supposed imperialism have admired the power of his storytelling. The book has been influential in
the scout movement, whose founder, Robert Baden-Powell, was a friend of Kipling's. Percy Grainger composed his Jungle Book
Cycle around quotations from the book.
CONTEXT
The
stories were first published in magazines in 1893–94. The original publications
contain illustrations, some by the author's father, John Lockwood Kipling. Rudyard Kipling was born in India and spent
the first six years of his childhood there. After about ten years in England , he went back to India and
worked there for about six and a half years. These stories were written when
Kipling lived in Naulakha, the home he built in Dummerston, Vermont, in the United States .
There is evidence that Kipling wrote the collection of stories for his
daughter Josephine, who died from pneumonia in 1899, aged 6; a first edition of
the book with a handwritten note by the author to his young daughter was
discovered at the National Trust's Wimpole Hall in Cambridgeshire, England,
in 2010.
BOOK
Description
The
tales in the book (as well as those in The Second Jungle Book, which followed in 1895 and
includes five further stories about Mowgli) are fables, using animals in an anthropomorphic manner to teach moral
lessons. The verses of "The Law of the Jungle", for example, lay down
rules for the safety of individuals, families, and communities. Kipling put in
them nearly everything he knew or "heard or dreamed about the Indian
jungle". Other readers have interpreted the work as allegories of the politics and society
of the time.
Origins
The
stories in The Jungle Book were inspired in part by the
ancient Indian fable texts such as the Panchatantra and the Jataka tales. For example, an older
moral-filled mongoose and snake version of the "Rikki-Tikki-Tavi" story by Kipling is found
in Book 5 of Panchatantra. In a letter to the American
author Edward Everett Hale, Kipling wrote,
The idea of beast-tales seems to me new
in that it is a most ancient and long forgotten idea. The really fascinating
tales are those that the Bodhisat tells of his previous incarnations ending
always with the beautiful moral. Most of the native hunters in India today
think pretty much along the lines of an animal's brain and I have
"cribbed" freely from their tales.
In a
letter written and signed by Kipling in or around 1895, states Alison Flood
in The Guardian, Kipling confesses to borrowing ideas and stories
in the Jungle Book:
"I am afraid that all that code in
its outlines has been manufactured to meet 'the necessities of the case':
though a little of it is bodily taken from (Southern) Esquimaux rules for the
division of spoils," Kipling wrote in the letter. In fact, it is extremely possible that I
have helped myself promiscuously but at present cannot remember from whose
stories I have stolen.
Setting
Kipling
lived in India as a child, and most of the
stories[a] are evidently set there,
though it is not entirely clear where. The Kipling Society notes that
"Seonee" (Seoni, in the central Indian state
of Madhya Pradesh) is mentioned
several times; that the "cold lairs" must be in the jungled hills
of Chittorgarh; and that the first Mowgli story, "In the Rukh", is set in a
forest reserve somewhere in northern India, south of Simla. "Mowgli's Brothers"
was positioned in the Aravalli hills of Rajasthan (northwestern India ) in an early manuscript, later changed to
Seonee, and Bagheera treks from "Oodeypore" (Udaipur), a journey of
reasonable length to Aravalli but a long way from Seoni. Seoni has
a tropical savanna climate, with a dry and a rainy season.
This is drier than a monsoon climate and does not support tropical rainforest.
Forested parks and reserves that claim to be associated with the stories
include Kanha Tiger Reserve, Madhya Pradesh, and Pench National Park, near Seoni. However, Kipling never
visited the area.
Characters
Many
of the characters (marked *) are named simply for the Hindi names of their species:
for example, Baloo is a transliteration of Hindi भालू Bhālū, "bear". The characters
(marked ^) from "The White Seal" are transliterations from the
Russian of the Pribilof Islands.
·
Bagheera *
– A black panther
·
Chuchundra * – A muskrat
·
Darzee *[e] –
A tailorbird
·
Grey brother – One of Mother and Father Wolf's cubs
·
Hathi * – An Indian elephant
·
Ikki * – A porcupine
·
Karait * – A krait
·
Kotick ^ – A white seal
·
Mang * – A bat
·
Mor * – An Indian peafowl
·
Nag * – A male cobra
·
Nagaina * – A female cobra, Nag's
mate
·
Rikki-Tikki-Tavi – A mongoose
·
Sea Cow – A (Steller's) sea cow
·
Sea Vitch ^ – A walrus
·
Shere Khan *
— A tiger
RECEPTION
Sayan
Mukherjee, writing for the Book
Review Circle , calls The Jungle Book "One
of the most enjoyable books of my childhood and even in adulthood, highly
informative as to the outlook of the British on their 'native
population'."
The
academic Jopi Nyman argued in 2001 that the book formed part of the
construction of "colonial English national
identity" within Kipling's "imperial project". In Nyman's view, nation, race and class are mapped out in the
stories, contributing to "an imagining of Englishness as a site of power
and racial superiority."
Nyman suggested that The Jungle Book's
monkeys and snakes represent "colonial animals" and
"racialized Others" within the Indian jungle, whereas the
White Seal promotes "'truly English' identities in the nationalist allegory" of
that story.
Swati
Singh, in his Secret History of the Jungle Book, notes that the
tone is like that of Indian folklore, fable-like, and that critics have
speculated that the Kipling may have heard similar stories from his Hindu
bearer and his Portuguese ayah (nanny) during his childhood in
India. Singh observes, too, that Kipling wove "magic and fantasy"
into the stories for his daughter Josephine, and that even critics reading
Kipling for signs of imperialism could not help admiring the power of his storytelling.

ADAPTATIONS
Protagonists from the Soviet
animated adaptation, "Маугли" (Mowgli), on a
Russian postage stamp
The
Jungle Book has
been adapted many times in a wide variety of media. In literature, Robert Heinlein wrote the Hugo
Award-winning science fiction novel, Stranger in a
Strange Land (1961), when his wife, Virginia, suggested a new version of The
Jungle Book, but with a child raised by Martians instead of wolves. Neil Gaiman's The Graveyard Book (2008) is inspired by The
Jungle Book. It follows a baby boy who is found and brought up by the dead
in a cemetery. It has many scenes that can be traced to Kipling, but with
Gaiman's dark twist.
In
music, the Jungle Book cycle (1958) was written by the
Australian composer Percy Grainger, an avid Kipling reader. It consists of
quotations from the book, set as choral pieces and solos for soprano, tenor or
baritone. The French composer Charles Koechlin wrote several symphonic works
inspired by the book. BBC Radio broadcast an adaptation on 14
February 1994 and released it as a BBC audiobook in 2008. It was directed by
Chris Wallis with Nisha K. Nayar as Mowgli, Eartha Kitt as Kaa, Freddie Jones as Baloo, and Jonathan Hyde as Bagheera. The music was
by John Mayer.
The
book's text has been adapted for younger readers with comic book adaptations
such as DC Comics Elseworlds' story, "Superman: The
Feral Man of Steel", in which an infant Superman is raised by wolves, while Bagheera, Akela, and Shere Khan make
appearances. Marvel Comics published several adaptations
by Mary Jo Duffy and Gil Kane in the pages of Marvel Fanfare (vol. 1). These were
collected in the one-shot Marvel Illustrated: The Jungle Book (2007). Bill Willingham's comic book series, Fables, features The Jungle Book's Mowgli, Bagheera, and Shere Khan.
Manga
Classics: The Jungle Book was published by UDON Entertainment's Manga Classics imprint
in June 2017.
Many
films have been based on one or another of Kipling's stories, including Elephant Boy (1937), Chuck Jones's made for-TV cartoons Rikki-Tikki-Tavi (1975),
The White Seal (1975), and Mowgli's Brothers (1976). Many
films, too, have been made of the book as a whole, such as Zoltán Korda's 1942 film, Disney's 1967 animated
film and its 2016 remake, the Russian: Маугли (Mowgli) published as Adventures of Mowgli in the US, an animation
released between 1967 and 1971, and combined into a single 96-minute feature
film in 1973, and the 1989 Italian-Japanese anime The Jungle
Book: Adventures of Mogwli.
Stuart
Paterson wrote a stage adaptation in 2004, first produced by the Birmingham Old Rep in 2004 and published in 2007
by Nick Hern Books.
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